I'm With Her Tour 2026

I'm With Her originated as a collaboration among Sara Watkins, previously of Nickel Creek, Sarah Jarosz, and Aoife O'Donovan, each bringing experience from solo careers and other projects in acoustic music. The trio's lineup remains these three musicians, who rotate instruments during performances. Their musical style centers on Americana and folk traditions, characterized by precise three-part harmonies that interweave over acoustic guitar strums, banjo rolls, fiddle melodies, and occasional mandolin accents. Songs frequently incorporate intricate fingerpicking techniques and dynamic builds that draw from bluegrass structures while maintaining a focus on vocal clarity and narrative depth in the lyrics.

Current live shows take place in mid-sized theaters and seated clubs where the emphasis stays on unamplified or lightly supported acoustic arrangements. The setlist moves between original material and carefully chosen covers, often rearranging pieces to highlight different instrumental combinations among the three members. Stage production remains minimal, with straightforward lighting and no elaborate visuals, allowing attention to rest on the interplay of voices and instruments. These venues typically hold a few hundred people, creating sightlines that keep every seat close to the performers.

Among past milestones the group released the album See You Around, which collected original songs developed during their early rehearsals. Individual tracks such as those featuring extended instrumental passages have become staples in their performances. The band has also appeared at established roots music gatherings including Newport Folk Festival and other multi-day events focused on acoustic traditions, sharing stages with artists working in similar instrumental and vocal approaches.

The band sits within the broader contemporary Americana and progressive folk scene that includes performers who blend old-time elements with modern songwriting. Listeners who attend their concerts often follow artists connected to the same circles, such as those exploring harmony singing, string-band textures, and narrative-driven material. Regular attendees tend to value attentive listening environments and appreciate sets that balance familiar repertoire with less common arrangements drawn from the members' individual catalogs.

Performances generally run close to two hours with a short intermission or encore segment. Opening acts are usually solo singer-songwriters or small acoustic ensembles whose material aligns with folk and roots styles. The room atmosphere stays quiet during songs, with audiences seated and focused on the stage rather than moving about, though applause follows each number and brief between-song comments from the trio provide context for the selections.

Readers can review the list of upcoming dates below to find opportunities to attend a performance in a venue near them.